Thursday, October 31, 2013

Witches' Brew

Hallowe'en today. No ghosts or goblins at our house, we live at the end of a long dirt road with only a few houses on it. Its just not worth it for trick-or-treaters to take the risk that someone down here might be giving out treats. For us, we will be happy with the ravens, deer and squirrels and all the falling maple leaves.

Speaking of falling things, I went in search of windfall lichen on my walk down the driveway to Stacey's house. I found quite a lot! A very good start for my collection - which will eventually be boiled up in a witch's brew of dyestuff to colour some future fibre or other.


Last weekend at the conspiracy I took Wild Extraction with Anna Heywood-Jones. We had a day and a half to play around with extracting colour from plants and give it to fabric and yarn. Look what I came home with - a pile of notes, some samples and a head full of inspiration...  that brilliant yellow was derived from the root of oregon grape that we dug up, and the lovely red-brown came from the bucket of hemlock shavings you can see in my previous blog post. The murkier yellow at the bottom of the pic came from lichen, dyed on woolen cloth. A lifetime of possibilities, read Anna's blog if you want more.

I taught a very short introduction class called Modern Crossroads. My evil plan when I teach is to get people making their own quilts; to step away from using patterns designed by someone else, and to get to know their very own hand. It was a three hour class, and my lovelies worked hard without rulers or rules!



Given more time, we would have made more units, but getting the thing together usually takes a good day or maybe even two, as there is always lots of fiddling to do, so three hours was a perfect amount of time for an introduction to "free piecing". I had a great time and I loved  what people came up with in such a short time.

Saturday, October 26, 2013

Well. Not.

Well.

I'm not going to be one of those people who apologizes for not making a blog post in months. I'm not.

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The Denman Island Creative Threads Conspiracy is going on this weekend, and its pretty inspiring!

People are knitting and embroidering, they are dyeing, painting cloth and braiding rugs, eating great food and sewing. Someone there was nalebinding in her spare time! Quilts are being made, in improvisational, traditional and representational styles. Wow- it's creative mayhem in the community hall.

I am in the Natural Dyeing class with Anna Heywood-Jones and I'm having a good time and learning a lot. I always choose the classes I take sort of like I used to choose race horses: with the horses, I would peruse the animals and the jockeys pre-race, and then decide on the team by who had the best buttocks combo (let me interject - I do NOT choose classes based on buttocks; keep reading, hopefully it will make sense!). It had to be good jockey-butt and horse-butt in combination, and then I would bet a dollar or so on them. I really can't remember winning much, but I had a good time. When choosing classes to take, I assess whether or not I would like to spend time in a room with the teacher (online research, whether they give good eye-contact and smile in photos, what the work says...) and that the subject they are teaching speaks to me. I am more right with my formula for taking classes than I ever was with the horses. I don't get horse racing or gambling, and I do get fiber art.

A little about Anna's class.... we walked out into the woods and respectfully collected natural dye materials which we then took back into our classroom and made concoctions from these. We sank little samples of fibres into the festering pots of colour and waited. Anna talked the whole time, about dyes, fibers, how these dyes were used in First Nations cultures, exotic natural dyes, mordants, pitching colour, and a lot more. She really knows her stuff and has a real passion for the subject. And she is really nice to be in a room with. Then we hung our samples to dry. Its fun, its sort of scientific and sort of intuitive and a little scary and a lot experimental. I can hardly wait to do more. Anna makes it seem very accessible to me to do on my own, I feel like I can experiment and the results will be perhaps unpredictable but always exciting. Its better than betting a dollar on a horse/jockey butt combo.
Hemlock, the inner bark, shaved from a fallen tree.



Saturday, April 27, 2013

HouseTops

 Here are a few photos of HouseTop quilts that people have made in my classes. Sorry, there are no credits for who made what... think of it as a journal of ideas. I'm excited to be teaching improvisational cutting and piecing to a new group of quilters, and this housetop "template" makes the process easy and fun. At the Creative Threads Conspiracy in October, I will be teaching a new improv class called Modern Crossroads. Another addictive process - there are so many colours and possibilities, making just one is always a challenge!














Saturday, April 13, 2013

Bring me sunshine!

and bugs?

I googled House Of Bug (I was looking for my blog so I could share the sunshine)... 
And I got sites that help eradicate bed bugs, stink bugs and lady bugs.



The sunshine I want to share is here, in this video... See what happens when you spread the cheer? Shouldn't we all have yellow ukuleles in springtime?


House of Bug is not named after stink bugs or lady bugs.... but Lila the purple bug.

Thursday, April 11, 2013

Tweed

doesn't it look like a fish skeleton?


What is tweed? I ask myself. First off, the word itself is a joy to utter.
Tweed. Tweed, tweedy tweed.

For me it conjours images of blended coloured wool, woven, knitted, just strands of nubbly yarn, dark brown with whitish flecks, or dark and light grey. I picture herringbone tweed, a twill weave with a diagonal pattern of warp and weft threads that look like the skeleton of a wee fish. I see a green tweed in my head that I have named or misnamed Donegal Tweed. This one is a plain weave, just a nice woven cloth made from green wool with flecks of other colours spun into the yarn. My mom sewed beautiful tailored suits for herself in the seventies and had a great love for tweed. Glen check, Harris tweed, houndstooth and herringbone. These are the fabrics she used to make skirts and trousers and jackets. Woolens with names full of personality.
(Now I've said the word tweed so many times it sounds weird, so I have to look it up).

tweed  

/twēd/
Noun
  1. A rough-surfaced woolen cloth, typically of mixed flecked colors, originally produced in Scotland: "a tweed sports jacket".
  2. Clothes made of this material.
So, my personal image bank was not too far off. I like to think of the beautiful Noro yarns with their everchanging colours as a tweed, because here and there are flecks of other colours spun in. And look at the lovely tweediness of these yarns from Brooklyn Tweed.

If I were a better knitter, I would have a lot of tweedy yarn. As it is, I am a quiltmaker, so I have a lot of fabric. I've been using cotton fabric for my quilts for a loooong time, and I wanted to try the tweed-like natural linen. I understand (and will have to do more research on the subject) that linen (flax) grows with fewer pesticides and uses less water than does cotton. One of the things that bugs me about what I do is that I use conventionally grown cotton, which is pretty harmful to the environment in its consumption of chemicals and water. (I have made a pact with myself to use organic cotton whenever I can, even though it is more expensive. My beautiful world means a lot to me, so I will spend a little more on my art.)
two colours and two weights of linen

Anyhoo... back to linen and it's tweediness ... I had a chunk of linen, and my lovely neighbour and I were discussing its use, so I split it in half and we decided we would each make a tweed log cabin quilt. I have not made a traditionally pieced quilt with repeat blocks in a long time, and making the first couple of log cabin blocks was meditative and fun, then it got to be tedious doing the same block again and again, and then I got into a rhythm of making them and it became sort of meditative again. It was good to practice that repeat thing, one step at a time - moving ever forward.

Working with the linen was good too. Its a little harder to manage than the cotton fabrics made for quilting, as it is not quite as stable. It moves about some, and its a bit stiff. Each little thread of the weave shows up seperately, unlike cotton. With this I was led to thinking about the threads that are woven together to create the fabric, and that led me backwards to the field where the flax plant grew, was harvested, retted, spun into thread to be woven into cloth! We wear clothes made of textiles all day every day. Most of us probably don't have a thought about how the clothes were made and even more rarely think about where the cloth comes from, who grew the fibre, how it got made into fabric to be sewn into clothes. Wow, a lifetime of research has appeared here...

Anyhoooo....

Here is my Big Tweed quilt top, ready to be layered and quilted. Its about 50" x 50" and meant as a quilt for a child.
enlarged herring bones!
I chose prints that I thought would appeal to a literary kid. Some alphabets, a Lonni Rossi text print with punctuation,  some drawings from the Architextures line, a tweed sock monkey or two, garden gnomes, plenty of dots and I included a favourite grey Denyse Schmidt print (from the original Flea Market Fancy line) and a naturally dyed and block printed cloth from Maiwa Handprints.
dots and drawings and sock monkeys
Now I have to think up a tweedy way to quilt it. Maybe I'll use a houndstooth or a glen check for the back!

Saturday, January 12, 2013

paper on the back

 So many ideas on the interwebs! Here are some lovelies, using foundation paper to help with piecing. Have a look.

patchwork in other places   kimono silk beauty   

this beautiful silk improvisational work made me think of the simple and complicated piecework you can do with a paper foundation.........

scissors. not so simple  

flying geese - simple    


and a good technique for making curved things.    

Monday, January 7, 2013

this first patchwork of 2013

I got busy and made something bright and unlike anything else I've made, just to start this year off. Usually I am happy to see the tail end of the old year, but as this new year begins, I'm just riding the wave, enjoying what comes up, not regretting the past.  
Just another day.